Noel/Cole: Let's Do It (Stage
Production)
Louise Gold starred in this David Kernan revue, as
herself, in various venues, the first being at an Arts Festival in
Ms Gold has been with the show since it took on it’s
current form for
“It was just great in
After
“I was pleasantly surprised in
Louise's two longstanding colleagues in the show
described her, and her performance, as follows:
“Louise Gold, an
exciting new musical talent". David Kernan, Programme Notes &
CD Sleeve Notes
"In the first
half, Louise and I both wear trouser suits. Mine is silk chiffon in a shade of
taupe: Louise's is brown silk with a beaded bodice. In the second half, we both
wear long dresses - Louise looks great in a slinky black number slit to the
thigh - she's got wonderful legs!" Liz Robertson (Lerner) to Helen
Taylor, THE
Revue’s can be difficult shows to describe, Ms Gold,
who comes from something of a family tradition of this art form, summed up this
particular show as:
“It’s absolutely enchanting. This is not a
play. This is not a musical. It is just a joyous evening. It’s a little bit of
history on the stage.” Louise Gold to Phil Hewitt, THE
Cast:
Singers - Liz
Robertson, Louise Gold and David Kernan
Narrator - Ned
Sherrin
Guest
Appearances - Sally Ann Howes and Peter Greenwell
Singers - Liz
Robertson, Louise Gold and David Kernan
Narrator - Robin
Ray
Guest
Appearances - Pat Kirkwood and Peter Greenwell
Understudies:
Standby for Mr Kernan & Mr Ray - Peter
Sutherland
Standby for Miss Gold & Miss Robertson -
Rebecca Chapman
Guildford & Richmond
Singers - Liz
Robertson, Louise Gold and David Kernan
Narrator -
Francis Matthews
Guest
Appearances - Peter Greenwell
Production Team
Songwriters
- Noel Coward and Cole Porter
Complied by
- David Kernan
Production
& Stage Manager – Kevin Mullary
Musical
Arrangements - Jason Carr and Paul Bateman
Songwriters
- Noel Coward and Cole Porter
Written by Ned
Sherrin
Complied by
- David Kernan
Presented by
- Show People ’90 Limited
Director
& Choreography- David Toguri
Production
& Stage Manager - Kevin Mullery
Production
Assistant - Barbara Toye
Lighting by
- Tim Boyd
Sound by -
Will Peachey
Musical
Arrangements - Jason Carr and Paul Bateman
Songwriters
- Noel Coward and Cole Porter
Complied by
- David Kernan
Additional
Material - Robin Ray and Dick Vosburgh
Director - David
Kernan
Musical
Staging & Choreography - Jeff Thacker
Designer - Michael
Pavelka
Lighting by
- Hugh Wooldrige
Sound by -
Tom Lishman
Musical
Arrangements - Jason Carr with Paul Bateman
Musical
Director - Matthew Freeman
Costumes
(for: Miss Robertson, Miss Gold, & Mr Kernan) - Krizia
Miss Gold's
hairstyle - Michael John 25 Albemarle Street London W1
Tour Dates
Arts Festival in Memphis Tennessee - End of (probably
the last week of) January 1994
Oxford Play House Theatre - 7 - 12 February 1994
Chichester Festival Theatre - from 27 July to 1
October 1994
Yvonne Arnaud Theatre, Guildford , 14 - 25 February
1995
Richmond Theatre, Surrey, 27 February - 4th March 1995
There may well have been other performances not listed,
for example, the show did two private gigs in Madame Tusauds (right among the
statues) sometime in 1996 or 1997.
For a Review of the show
when it played Richmond Theatre please click here.
The
Louise Gold has appeared in quite a
number of Cole Porter musicals, besides Noel/Cole: Let’s Do It,
she has also appeared in the Ethel Merman quintet of shows: Anything Goes, Red
Hot & Blue, Du Barry Was A Lady (see: Du Barry Was A Lady (1993 Production)
and Du Barry Was A Lady (2001 Production)),
Panama Hattie, and, Something For The Boys, she has also
appeared in Kiss Me Kate. However, she has made
all too few recordings, the only albums of her singing Cole Porter are Noel/Cole: Let’s Do It,
and the JAY/TER studio cast album of Anything Goes (recording) - Website
Recommended Album.
It is perhaps worth noting that Paul Bateman’s
arrangement of The Physician, at least, was one which he never
wrote down, but played from memory every time they did the show.
Louise Gold and David Kernan
had previously appeared together in Sondheim
At The Barbican
David Kernan had previously produced
and directed Liz Robertson and Louise Gold in Chicago & Company, which Ned Sherrin
also narrated part of, and for which
David Kernan had previously produced
and appeared in Broadway To Brighton,
which Louise Gold also appeared in, and which Ned Sherrin also
narrated and
Liz Robertson’s Cole Porter
recording credits include: Cole Porter
- Night And Day
Liz Robertson has previously appeared
in The Royal Variety (1982),
Chicago & Company, and, A Time To Start Living, she went on to
appear in Regents Park 70th
Anniversary Gala, and, Happily Ever After.
Ned Sherrin, Paul Batemen and Louise
Gold had all worked together on the musical Ziegfeld
and the album Ziegfeld (recording)
Ned Sherrin and Louise Gold
had previously worked on Metropolitan Mikado
and it's highlights concert Ratepayers' Iolanthe
& Metropolitan Mikado. They went on to appear on Ned Sherrin’s Review Of Revue
Louise Gold and Peter Sutherland
had previously appeared together in Blood Brothers
Louise Gold, David Kernan, Ned
Sherrin, and, Peter Sutherland may have appeared together in Comedy Tonight, which was umpired by David
Kernan along with Lighting Designer Hugh Woolridge, and partly
choreographed by David Toguri.
Louise Gold and Liz Robertson
may have previously appeared together, along with Sally Ann Howes and David
Kernan in Will-Aid which was directed by David
Kernan, along with Ned Sherrin.
Peter Greenwell composed and arranged
some of the music for Will-Aid
A little later in 1994, Louise Gold and Dick
Vosburgh were opposing Team Captains on a BBC Radio quiz show about
musicals Let’s Do The Show Right Here.
Perhaps appropriately, given that Cole Porter
was left-handed, there were a high number of 'Cack-handed' performers in
the cast, David Kernan, Liz Robertson and Louise Gold are
all left-handed. The trio went on to appear together in a revival of another
Kernan revue, Side By Side By Sondheim. They also all
appeared in Side By Side's 25th Anniversary gala, and, Side By Side By Sondheim 30th Anniversary
Gala.
Kevin Mullary went on to do stage
management for Side By Side's 25th Anniversary gala, he was
also involved with Spitting Image.
Show People ’90 Limited had previous
presented Kids At Heart and A Time To Start Living
Sally Ann Howes, David Kernan and
Matthew Freeman’s conducting
talents can also be found on The
Great Musicals – Dashing Heroes, Blushing Maidens.
David Kernan, and, Liz Robertson’s recording credits
include The Great Musicals – Laughter And
Tears, which also features Matthew
Freeman’s conducting talents.
Louise Gold had appeared at The
New Oxford Theatre many years previously in The Land Of The Dinosaurs, just before
a life-changing audition.
Louise Gold subsequently appeared at The
Chichester Festival Theatre, The Yvonne Arnaud Theatre and Richmond
Theatre in The Cherry Orchard.
Louise Gold has gone on to appear at The
Chichester Festival Theatre in The Gondoliers
and The
Water Babies. She has also appeared there in a one night charity gala Curtain Up, and co-hosted the Christmas
Concerts 2003.
Louise Gold, and,
Louise Gold also went on to appear in
the film Topsy Turvy, part of which was filmed at
Richmond Theatre.
Louise Gold had previously
puppeteered on a Spitting Image special The
Sound Of Maggie, which was also filmed at Richmond Theatre.
With the benefit of hindsight satire sometimes has a
habit of being uncannily ironic in a way in which the writers themselves had no
idea of at the time. An example of such irony occurred at the end of this show,
when the cast sang a variation of the song Let’s Do It Let’s Fall In Love,
with some additional lyrics by David Kernan, Robin Ray and Dick
Vosbourgh. One of these lyrics (sung, at any rate in
The Chichester Festival Theatre complex once
again echoed to the sound of Mrs Worthington in 2003, when Desmond
Barrit sang it in the show Curtain Up
After Ned
Sherrin’s death The Company Of
Mary Poppins dedicated their late night FUNdraising special to him.
The performances at Richmond Theatre coincided
with Louise Gold starring on a studio cast recording of Stop The World I Want To Get Off. Thus she was
recording by day, and performing on stage by night. But from her performance on
the stage you would never have known it.
As an award for their performances in Noel/Cole:
Let’s Do It, those members of the cast who played the show in Memphis
Tennessee (Liz Robertson, Louise Gold, David Kernan, Ned
Sherrin, Sally Ann Howes, Peter Greenwell, Jason Carr and
Paul Batemen, and even Kevin
Mullary) have been made honorary citizens of Memphis Tennessee.
Thirteen years later found Louise Gold once again performing in the
town of Richmond Upon Thames, this time at The
Orange Tree Theatre in Next Door’s Baby
Liz Robertson went on to get
Louise Gold to take part in Shopping With The Stars.
Critics Comments
“ Still,
if we are to hve compilations like this, you can’t do better than this cast:
five fine singers, two good pianists, and Ned Sherrin linking the songs with
witty commentary. The three main singers were splendid: the sweet Liz
Robertson, the sassy Louise Gold and the suavely relaxed David Kernan.” Tony
Augarde, THE
“Louise Gold gives a marvellously gutsy
account of Porter’s Blow Gabriel Blow.” Chris Gray, OXFORD MAIL, Tuesday 8 February
1994, p9.
"A cast of three - Kernan, Liz
Robertson and Louise Gold - perform admirably and complement one another
neatly." John Gross, SUNDAY TELEGRAPH, 31 July 1994.
"Liz
Robertson, all class, and the vivacious Louise Gold join Mr Kernan to sing
faultlessly some of the incomparable material bequeathed by these giants" Bill
Hagerty, TODAY, 28 July 1994.
“Liz Robertson and Louise Gold deliver a
remarkably powerful Twentieth Century Blues.” Phil Hewitt, THE
"Louise
Gold, it has to be said, achieves the impossible: she makes Ethel Merman look
subtle." Clive Hirshhorn, SUNDAY EXPRESS, 31 July 1994.
“There was no denying the creativity, not
to mention the skills of the singers Louise Gold, David Kernan and Liz
Robertson” David Howe, THE STAGE, February 1994.
"Gold
looks a tougher cookie and proves a dab hand with the whip in Porter's
"Brush Up Your Shakespeare". Her voice effortlessly manages the
octave leap in "The Physician" but I wish she had included the line
where he does a double hurdle as she shakes her pelvic girdle, because she
would have shaken it so well" Jeremy Kingston, THE TIMES, 1 August
1994.
"Louise
Gold provided a very different The Physician and a belting Blow Gabriel
Blow." Michael Sell, THE STAGE, 25 August 1994.
“Could yet more renditions of Alice Is At
It Again or Katie Went To Haiti possibly uphold the challenging and
sophisticated standards one has come to hope from this versatile venue? Within
five minutes Blow, Gabriel Blow had helped to clear the air of any lingering
doubts.”... “The singers - Liz Robertson, Louise Gold and David Kernan - inject
the compelling combination of lightning movement and grace with crystal clear
diction and vocal power” Gary Shipton, WEST SUSSEX GASSETTE, 4 August
1994.
“....they are performed thrillingly here by
Kernan and his excellent partners-in-song, Liz Robertson and Louise Gold.” Charles
Spencer, DAILY TELEGRAPH, 29 July 1994.
"Louise
Gold is a surprise - she might have been designed for musicals with her great
voice and superb legs." Helen Taylor, THE
"Miss
Gold with a vibrato belt to rival Ethel Merman" Jack Tinker, DAILY
MAIL, 28 July 1994.
"Louise
Gold a tousled red haired virago with a voice that could cut steel, gives the
latter full rein in Blow Gabriel Blow and snarls her way effectively through
The Physician " Aline Waites, PLAYS AND PLAYERS,
September/October 1994.
Links about Noel/Cole: Let’s Do It
TheatreNow.Com interview: Gold On Stage: Louise Gold In Follies: http://www.theatrenow.com/asp/link.htm?news.asp?art=3430&cat=1 This is an interview carried out by Theatre.Com’s Paul Webb, one hot
summer’s day, while Louise was appearing in Follies at The Royal Festival Hall.
Although the interview is ostensibly about her role in Follies she also talks
about her other Sondheim performances, and Noel/Cole: Let’s Do It in
The Cole Porter
Reference Guide (includes a piece about Noel/Cole: Let’s Do It): http://www.geocities.com//porterguide/
About Maria http://www.aboutmaria.com/letsdoit.html - this is a page about David
Kernan’s prototype version of the show at The Barbican on 19 October 1989.
Neither Louise Gold or Liz Robertson had anything to do with this prototype
version.
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